Robert R. Lackney is a living artist whose daily painting practice has continued for more than sixty years.
His archive moves across paintings, drawings, studies, writings, publications, and architectural records. What holds the work together is not one medium, but a sustained attention to light, proportion, threshold, rhythm, and sacred time.
Work and Practice
For Robert, painting is a daily act of attention. The canvas becomes a place of waiting, looking, and allowing thought, memory, and emotion to take visible form.
Across the work, gesture and structure sit side by side. Some paintings are quiet and liturgical; others are more forceful, charged by movement, color, and pressure. What holds them together is the seriousness of the practice: patient, disciplined, and exacting.
Formation / Space / Stewardship
01
Catholic Formation and Vocation
Robert's Catholic formation and service as a permanent deacon are part of the interior discipline behind the work. Prayer, meditation, and contemplation shape the way he waits, looks, and allows an image to arrive.
The paintings do not use faith as decoration. They carry its discipline more quietly: in attention, restraint, silence, and the patience to let memory, spirit, and perception take form.
02
Liturgical Architecture
Robert's background in liturgical architecture gives the paintings a sustained concern for space, proportion, threshold, and sacred atmosphere. His architectural work trained his eye toward structure, rhythm, light, and the human experience of sacred space.
In the paintings, that discipline becomes intimate. A canvas can hold the feeling of a built space: measured, illuminated, and composed for attention.
03
Living Archive Stewardship
Contemporary Artworks stewards a substantial living archive entrusted by Robert during his lifetime. The archive includes paintings, works on paper, sketches, studies, writings, publications, and records of a broader creative life.
This is not a discovered archive or a retrospective after the fact. It is a living body of work being reviewed, organized, proofed, and released with attention to provenance, visual fidelity, context, and restraint.
In the Work
Across the paintings, light, rhythm, threshold, surface, and sacred time become forms of attention.
Red Rhythm Color, rhythm, and disciplined structure
For the Time Being Light, surface, and threshold
Light Shower Sacred time and contemplative attention
Continue Through the Work
Continue into the collections to view selected works from Robert's living archive.